Tuesday, July 19, 2011

Meiji Monday

Giving a presentation on Monday, July 25, at Meiji Daigaku. INFO here
Roland Kelts
Roland Kelts is a half-Japanese American writer, editor and lecturer who divides his time between New York and Tokyo. He is the author of <http://japanamericabook.com/> Japanamerica: How Japanese Pop Culture has Invaded the US and the forthcoming novel, Access. He has presented on contemporary Japanese culture worldwide and has taught at numerous universities in Japan and the US, including New York University and the University of Tokyo. His fiction and nonfiction appear in such publications as Zoetrope: All Story, Psychology Today, Playboy, The Wall Street Journal, Vogue Japan, Adbusters magazine, The Millions, The Japan Times, Animation Magazine, Bookforum, and The Village Voice. He is the Editor in Chief of the Anime Masterpieces screening and discussion program, the commentator for National Public Radio's series, "Pacific Rim Diary
<http://www.scpr.org/programs/madeleine-brand/2011/02/15/sometimes-comedy-doesnt-travel-pacific-rim-diary-w/>," and the author of a weekly column for
<http://www.yomiuri.co.jp/dy/features/arts/T110214005577.htm> The Daily Yomiuri newspaper. His latest project is the English edition of the Japanese literary culture magazine,
<http://www.apublicspace.org/pre-order_monkey_business.html> Monkey Business, and his blog is:http://japanamerica.blogspot.com/>
Title of Lecture: Pop Culture from a Multipolar Japan
Brief Abstract of Lecture: Is there something more to the West's fascination with Japanese anime and manga? How are anime films and manga comics cultural channeling zones, opened by the horrors of war and disaster and animated by the desire to assemble a world of new looks, feelings and identities? Lecturer at the University of Tokyo, Sophia University and the University of the Sacred Heart Tokyo, Roland Kelts addresses the movement of Japanese culture into the West as sign and symptom of broader reanimations. With uncertainty now the norm, style, he argues, is trumping identity, explaining, in part, the success of Japanese pop and fashion, design and cuisine in the West.

No comments: