japanamerica

I was hired to host this short documentary film about the central role cats play in Japanese culture. "Japan Cats,"  directed by Academy Award nominee Geoffrey O'Connor and shot in Wakayama and Tokyo, was a lot of fun to make, and I remain honored to be a small part of it. No 'weird Japan' clickbait memes, but a rich look at the deeper connections, spiritual and personal, between the Japanese and their cats. Yes, there's Natsume Soseki's "I am a Cat," Hello Kitty, Doraemon, nearly everything written by Haruki Murakami, Maneki Neko ("Lucky Cat"), Bakeneko ("shapeshifting cat") and plenty more. But there's also Tama, the stationmaster cat , and her successor, Nitama (Tama 2), whom you'll meet here, along with cat cafes and memorials. Thanks to AMV BBDO for producing, and SHEBA for supporting. Hope you enjoy the show.

After Disaster: Embracing a Living Past through “Ghosts of the Tsunami”  (Words Without Borders) I flew out of Tokyo two days before March 11. There was a mild tremor as I packed, causing the overhead lamp in my kitchen to sway. I crouched over my suitcase, arms extended in my usual high-alert stance, but the earth soon resettled and I went back to folding my socks. Mild side-to-side rocking and the occasional vertical jolt are standard stuff in Japan, the most earthquake prone country in the world. During the days of the disaster and its immediate aftermath, I was in Oregon and California, giving university lectures and an NPR interview about, of all things, Japan’s obsession with apocalypse in its art and popular culture. I would not have remembered that tremor on the ninth had it not been for what happened on the eleventh. Read More >>

The Satori Generation A new breed of young people have outdone the tricksters of advertising. by Roland Kelts [photo by Ono Kei] They don’t want cars or brand name handbags or luxury boots. To many of them, travel beyond the known and local is expensive and potentially dangerous. They work part-time jobs—because that is what they’ve been offered—and live at home long after they graduate. They’re not getting married or having kids. They’re not even sure if they want to be in romantic relationships. Why? Too much hassle. Oh, and too expensive. In Japan, they’ve come to be known as satori sedai—the “enlightened generation.” In Buddhist terms: free from material desires, focused on self-awareness, finding essential truths. But another translation is grimmer: “generation resignation,” or those without ideals, ambition or hope. They were born in the late 1980s on up, when their nation’s economic juggernaut, with its promises of lifetime employment and conspicuous celebrations of...