japanamerica

I kept a stack of well-thumbed issues of The Nation Magazine in my New York apartment so it was an honor to host their first-ever Japan Tour these pasts two weeks along with Pico Iyer and other accomplished Japan-based authors, journalists and scholars.   We addressed a wide range of topics, from the aging society and shrinking population to the state of Japan's economy, politics (in the middle of LDP elections, no less), environmental policy, LGBTQ legislation, burakumin culture, spirituality and folklore (yokai and yurei included) and, of course, manga and anime. The tour hit Tokyo, Osaka, Kyoto, Kanazawa, Koyasan, Nara and Hiroshima. It was a proverbial tour de force for a great American magazine.    

I’ve been doing a series of JAPANAMERICA-themed talks in Tokyo via the generous and uber-competent WorldStrides agency for US universities including The University of Wisconsin , Vanderbilt University and DePaul University . The discussions have been wide-ranging and fascinating (I'm learning a lot myself!) and I am grateful for the enthusiastic student-professor audiences and the sterling support from the team at WorldStrides. Highly recommended.      

One of my favorite recent English-language books on Japan is AMETORA ("American Traditional"), the enthralling, novelistic story of postwar Japan told through its brilliant refashioners of Western fashions (Take Ivy! Selvedge Denim! BAPE!). I will host a talk w/author W. David Marx at The Foreign Correspondents' Club of Japan on Wednesday, Dec 13th , 6pm JST, both live and via Zoom. If you're in Tokyo (or not), please join us by registering here :  https://www.fccj.or.jp/event/book-break-w-david-marx-author-ametora-how-japan-saved-american-style-presentation  "Tokyo-based author W. David Marx will speak about his 2015 cultural history of American fashion in Japan — AMETORA: How Japan Saved American Style — which has recently been re-released by Basic Books with a new afterword after surprising global success. Marx will give a presentation in conversation with JAPANAMERICA author and moderator Roland Kelts on this fascinating micro-history of how Amer...

    photo Aki Mizutani (editor, JP)   I was interviewed for the Japan episode of the new Netflix doc series "Encounters," about cultural perceptions of UFOs and alien beings, produced by Steven Spielberg's Amblin Entertainment. The episode features a highly sensitive take on Japan's spiritual imagination. It's called "Lights Over Fukushima" and is now watchable here . I was a tad leery of this gig at first. But the director and crew were great and genuinely keen to tell a true story. And the opportunity to talk about Astro Boy, Ultraman and Totoro in one fell swoop was too good to pass up.      photo Joe DeMarie (LA)     photo Chris Yap Wooi-Hoe (SG)     This Japan story is beautifully shot and brilliantly pieced together by director Yon Motskin and consulting producer/novelist Marie Mutsuki Mockett, without whom I wouldn't be involved. I am typecast in my usual role--resident alien--which I hope to one day play to perfection. ...

I'm honored and chuffed to be returning to the nearly 80 year-old Foreign Correspondents' Club of Japan, this time in their swanky new Marunouchi digs , to talk about the rising convergence of Anime & Hollywood and my new book, "The Art Blade Runner: Black Lotus," out now from Titan Books and Penguin Random House.  I'll be joined by veteran film and animation producer Joseph Chou ( The Animatrix, Halo Legends, Space Pirate Captain Harlock, Ghost in the Shell: SAC_2045, Appleseed, Ultraman , and the forthcoming Lord of the Rings anime) for a multimedia presentation rife with making-of clips, sketches and insider reveals. Print copies will be on sale for signings, and I've just learned that we will also have copies of Monkey: New Writing from Japan , the annual English-language Japanese literary journal to which I am a humble contributing editor, bowing to my dear friend, author, scholar, translator, renaissance genius, Motoyuki Shibata, who will be on ha...

JAPANESE POP CULTURE IN 2022 February 15, 2022 7:00 pm Live Webinar: Free Registration HERE Part of the "Living Traditions" series Tuesday, February 15, 2022 at 7-8 pm EST (4-5 pm PST)   Japanese pop culture, symbolized by manga and anime, has become an increasingly significant part of the cultural conversation across the globe. Julia Mechler , manga creator and Content Production Group Manager at mixi, inc., and Roland Kelts , author of Japanamerica: How Japanese Pop Culture Has Invaded the U.S ., provide their insights into the current state of the industry, from pen to paper to screen, unpacking some of the latest trends and emerging technologies in Japanese pop culture. This webinar covers the historical development of manga and anime, the global influence of otaku culture, and what the future may bring inside and outside of Japan. Moderated by Bill Tsutsui , author of Japanese Popular Culture and Globalization , the fifth and final event in our five-part "Living Tr...

 

Japan's obsession with perfection is an Olympic-sized problem  W hen clockwork does not work Japan is world-famous for its punctual and efficient customer service, and for most of the pandemic—with the country under varying states of emergency—this has been a godsend. Food deliveries arrive at your door, hot and hermetically sealed, up to 10 minutes earlier than promised. Packages sent from every corner of the country are handed to you the following morning by gloved couriers. Convenience stores really are convenient—located everywhere, well-stocked, impeccably sanitized and open 24/7, even in the smallest towns. In Tokyo, public clocks are ubiquitous. While it is true that you can set your watch to the departures and arrivals of Japan's trains, from the high-speed shinkansen to more humble commuter rails and subways, you do not really need a watch here. Yet now, when Japan does need to keep pace with global vaccinations just two months before the start of the 2020 Tokyo Olympi...

I was recently interviewed by the CBC about Japanamerica and the rise of Black representation in Japanese popular culture. Investments from Netflix and other big global media companies are bringing multiculturalism to Japan's thriving creative industries. But are we ready for a multicultural Japan? (You can access the interview here .) [Excerpts] What is it about anime that makes streaming giants like Netflix so eager to invest in not only the content, but in studios and in talent? On the one hand, it crosses borders really well. Streaming services are global. They're not just located in one country or devoted to one culture. I also like to think of anime characters as anime tribes. Take a movie star in the U.S. or China and they may not be that well-known outside of their own nation, but anime characters have this unique ability — partly because they're just illustrations — to travel very, very well. So streaming services are looking for content that will appeal not only...

African samurai earns hero status in new anime ‘Yasuke’ Of the record-high 40 original anime programs Netflix is launching this year, none may be better pedigreed or more timely than “Yasuke,” a six-episode series about Japan’s only known Black samurai. Voiced and executive produced by Oscar nominee LaKeith Stanfield (“Atlanta”), scored and co-produced by Grammy nominee Flying Lotus, with Grammy winner Thundercat collaborating on the opening song, animated by studio MAPPA Co., Ltd (“Jujutsu Kaisen”), designed by Takeshi Koike (“Redline”) and created and directed by LeSean Thomas (“Cannon Busters”), “Yasuke” is more than just a nod toward diversification and representation in the wake of the Black Lives Matter movement. It’s an open embrace of both — arguably a first for Japan’s anime industry. The historical record on Yasuke is scant, leaving large gaps that the artists fill with a smorgasbord of supernatural and sci-fi anime tropes. The result is a headlong rush through a tangle of pl...

I was recently interviewed in Tokyo by Darren Paltrowitz of Hype Magazine . He was in New York City, my former hometown.  We talked about my gig hosting the Japan Cats doc, but also a lot of stuff I hadn't planned to discuss, like pandemic work, my forthcoming Blade Runner book, the novel, the other books, my Who T-shirt and interviews with Pete Townshend, the shows "Better Call Saul," "Westworld" and "Barry"—and my cat.  Darren's opening gambit disarmed me.  Vid's up at YouTube:

I was hired to host this short documentary film about the central role cats play in Japanese culture. "Japan Cats,"  directed by Academy Award nominee Geoffrey O'Connor and shot in Wakayama and Tokyo, was a lot of fun to make, and I remain honored to be a small part of it. No 'weird Japan' clickbait memes, but a rich look at the deeper connections, spiritual and personal, between the Japanese and their cats. Yes, there's Natsume Soseki's "I am a Cat," Hello Kitty, Doraemon, nearly everything written by Haruki Murakami, Maneki Neko ("Lucky Cat"), Bakeneko ("shapeshifting cat") and plenty more. But there's also Tama, the stationmaster cat , and her successor, Nitama (Tama 2), whom you'll meet here, along with cat cafes and memorials. Thanks to AMV BBDO for producing, and SHEBA for supporting. Hope you enjoy the show.

I'll be participating in two public events next month, one of which may have a live audience in addition to Zooming heads. Hope you'll join us, online or off.  •    Saturday 10/10, 10am - 12 pm Japan Standard Time (Friday 10/9, 9pm - 11 pm EST, 6pm - 8pm PST): Voices from Japan: Launching the New Literary Journal MONKEY , with Motoyuki Shibata, Tomoka Shibasaki, Hideo Furukawa, Satoshi Kitamura, Ted Goossen, Meg Taylor, Polly Barton and Jordan Smith. Hosted by Hitomi Yoshio at Waseda University. Click here to register. •      Sunday 10/18, 10am - 11:30 am Japan Standard Time (Saturday 10/17, 9pm - 10:30 pm EST, 6pm - 7:30pm PST):  Mieko Kawakami (BREASTS AND EGGS) in conversation with Roland Kelts (JAPANAMERICA) , with Motoyuki Shibata (introduction) and Hitomi Yoshio (interpretation). Hosted by International House Japan and The Asia Society. Click here to register.

Thanks to the Nippon Foundation for the honor of being a chosen book .

Back when you still could, I gave a talk for TEDxTokyo in a hangar at Haneda Airport. The topic was "Cool Japan." But this time I didn't talk about anime, manga, video games or fashion. Instead I focused on core cultural values expressed in Japanese words such as jishuku (restraint, discipline), gaman (endurance and perseverance amid adversity), ganbaru (to fight on, keep at it, stand firm) and wa (seeking and maintaining communal harmony). I didn't know then that such values would serve Japan well during a global pandemic. It was a remarkable event. At the reception there were canapes and wine and we watched a guitarist bring the sun down near the nose of a plane. Now it all seems surreal and, sadly, would be impossible. (Video of my presentation has been posted here .)

Honored to participate on the BBC's "World Questions: Tokyo" panel with the politicians Rui Matsukawa (LDP) and Hiroe Makiyama (CDP), and economist/professor Sayuri Shirai (Keio University). We discussed Japan's future — including the nation's low birth rate, women in politics and the labor force, the immigration dilemma, the constitution's 'pacifist' Article 9, and the 2019 Rugby World Cup and 2020 Olympic Games. You can hear the entire program online  here .

Live event info & tix here . Broadcast, Oct. 5 . BBC

‘Seen from Japan, Britain is no longer recognizably British’ The Guardian A nation of islands shaped by limited space and imperial ambitions, garden aesthetics and ceremonial teas -- and stoic, stiff-lipped reserve in the face of adversity: Great Britain, or Japan? For many Japanese, Britain has long been something of a western mirror and model nation, a land whose geographical and cultural character were recognisable and achievements often admirable: a doppelganger off the coast of another continent and equally rich with tradition, history and parochial pride. At least, until Brexit. Only three months after the June 2016 EU referendum, the Japanese government voiced its displeasure over Britain’s choice in unusually un-Japanese language. A 15-page memorandum issued in September 2016 by the otherwise soft-spoken ministry of foreign affairs “strongly requests” that the UK consider the facts: Japan invests a lot of money and employs a lot of workers in the UK, but Japanese b...

New 'Ultraman' anime is a family affair The Japan Times I first met anime director and mechanical designer Shinji Aramaki in Tokyo 12 years ago. He had just completed “Appleseed: Ex Machina,” the second in a trio of epic CG-animated films based on Masamune Shirow’s four-volume 1985 manga. “Ex Machina” was a global collaboration: co-produced by Hong Kong/Hollywood director John Woo, costumed by Italy’s Miuccia Prada and scored by Yellow Magic Orchestra’s Haruomi Hosono. Since then, Aramaki has become anime’s go-to guy for Japanese franchise reboots and sequels targeting international markets. As the nation’s domestic audience ages and its youth population shrinks, producers are scrambling to dust off older titles that might resonate both at home and abroad. That has them going to Aramaki a lot. Now 58 and the father of two adult daughters, he is currently working alongside screenwriter/director Kenji Kamiyama on anime adaptations of 1989’s “Ghost in the Sh...

Writers recall their initiation to Japanese literature via Donald Keene   The Japan Times Roland Kelts, author: Bookforum asked me to review Donald Keene’s memoirs , “Chronicles of My Life: An American in the Heart of Japan.” I said yes and winced. Keene was in his 80s at the time and had a lot of life to remember. His book would be massive. But then he, too, was vast: a bridge from my America to my Japanese mother’s land and literature. Also, a graduate of and professor emeritus at my alma mater, Columbia University, whose Center of Japanese Culture bears his name. A slim package arrived: 200 pages. In one chapter, Keene jet-sets around Europe, lobbying for Mishima’s Nobel, when his mother falls ill in New York. He arrives at her bedside too late. She can no longer speak. One cannot live and love in two worlds at once, he observes. The chapter closes so softly I had to put the book down and stare at the wall, shaken. Keene did what Kafka asks of writers: Ax the fr...