japanamerica

Japan's anime studios fall victim to coronavirus disruptions 'Pokemon' and 'Sazae-san' are delayed as animators and voice artists work from home Nikkei Asian Review TOKYO -- Japan's anime industry has been plagued for years by adverse conditions: long hours in cramped studios, razor-thin profit margins, domestic labor shortages and a reliance on public fan gatherings and box office sales. But since the government declared a national state of emergency for Tokyo and other cities on April 16 in response to the novel coronavirus outbreak, urging citizens to work from home, those adversities have anime producers scrambling for new business models. Dozens of productions have been suspended indefinitely, including hit series like "Pokemon" and "One Piece"; theatrical releases in the popular "Doraemon" and "Detective Conan" franchises; and even "Sazae-san," the domestic drama that holds the Guinness Wor...

Will digital piracy ruin the future of manga? Chigusa Ogino (photo: Toru Takeda) Author and manga translator Frederik L. Schodt once pointed out to me that many of Japan’s cultural products are embraced abroad just as they are declining at home. Ukiyo-e prints became the rage in Europe in the late 19th century, nearly 100 years after they’d peaked in Edo and Kyoto. Sake sales have been climbing steadily in overseas markets, with the value of exports doubling over the past five years and hitting a record in 2017, as they continue a decades-long slide in Japan. And now: manga? According to a survey by the Research Institute for Publications, domestic manga sales were flat last year, but the big reveal in the numbers was that digital outsold physical for the first time, rising 17.2 percent while print slipped 14.4 percent. Weekly manga magazines saw the steepest drop in sales, to below a third of what they were in 1995. A lot of digital manga content is cheap or costs nothing at ...