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Letters from Tokyo by Roland Kelts, February - May : "What a Long Strange Spring It’s Been" for The Japan Society of Boston 

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Letters from Tokyo by Roland Kelts, February - May : What a Long Strange Spring It’s Been  We swallowed an entire season in the latest of my "Letters from Tokyo" series for The Japan Society of Boston, partly because I was away from Tokyo for huge chunks of it. This spring Japan opened its borders and the tourists rushed into Tokyo and Kyoto, PM Kishida survived an attempted assault via pipe (smoke?) bomb--and while Covid eased its grip, roller-coaster climate changes have swung many of us (i.e, me) in and out of summer colds. Let's look back before we fast-forward too far.  The February night I returned to Tokyo from New York felt like spring had landed ahead of me. I shed my jacket in the unusually long taxi line outside Haneda, watched two teenage boys order an Uber and promptly copied them, stepped over the ropes, skipped the line, and settled after five minutes into the backseat of my driver’s minivan, rolling down the windows on both sides.  The weather during my ...

Letters from Tokyo, December 2022-January 2023: "When the Colonel is a Claus" for The Japan Society of Boston

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Letters from Tokyo by Roland Kelts, December - January: When the Colonel is a Claus The latest in my "Letters from Tokyo" series for the Japan Society of Boston  looks back at my holiday seasons in Osaka, New York and Tokyo, and forward to the state of Japan today. Asian tourists are back and residents are out and about, still masked but less anxious. The pandemic has taken a toll on rural onsen-mura villages, where darkened streets and shuttered storefronts are sad reminders of what's been lost. What's been found? Inflated prices and deflated birth rates mark mid-winter in Tokyo, 2023. I rode out my first Christmas in Japan alone, far from the US mania of gifting and parties and family. I thought it would be ideal. Sequestered in my narrow danchi apartment with time to write, read, reflect and phone home through the operators at KDDI—which sometimes felt like risking collect calls from prison: Would my family accept the charges? Through my front door I had an unobst...

Here for the Holidays, my latest little big art book: The Art of Blade Runner: Black Lotus

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Okay, here goes the new book , out now worldwide from Penguin Random House and Titan Books. I'm no good at this launch stuff but I can assure you the book is beautiful. Just got big boxes of it here in Tokyo: So what's it about? I wrote a preview of it in one of my monthly columns for The Japan Times . "British director Ridley Scott’s 1982 original 'Blade Runner,' a Hollywood live-action movie set in a futuristic Los Angeles, features several neo-noirish nods to a dystopian urban Japan. Signs in Japanese flash above neon-lit alleyways lined with cramped standing food stalls. Snatches of Japanese dialogue are heard on the streets and from the radio in Los Angeles police officer Gaff’s hovercraft (the brilliantly designed “spinner”), and in the voiceover accompanying an indelible image of a geisha, popping a pill on a gigantic skyscraper video projection. Even today, seeing Japanese culture embedded so deeply in the mise-en-scene of a mainstream Hollywood film is st...

The future of anime? LeSean Thomas' "Cannon Busters"

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'Cannon Busters': Bending anime rules in all the right ways The Japan Times South Bronx, New York native LeSean Thomas is making anime in Tokyo partly owing to a mistake.  In the early ’90s he bought a video cassette of what he thought was “Akira” but turned out to be a behind-the-scenes “production report”  documenting the film’s creation. Instead of returning it, Thomas watched it every day. When he saw director Katsuhiro Otomo and his team working through the night at their cramped desks, he thought: That’s what I want to do. More than 20 years later, Thomas, now 43, has become an anime showrunner with “Cannon Busters,” a 12-episode series based on his 2005 comic book of the same name and rendered by Tokyo animation studio Satelight Inc. The multinational project was created by an American, co-financed by Britain’s Manga Entertainment Ltd. and Taiwan’s Nada Holdings Inc., produced by a Japanese studio and released on major U.S. and Chinese streaming portal...

Donald Keene, 1922 - 2019

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Writers recall their initiation to Japanese literature via Donald Keene   The Japan Times Roland Kelts, author: Bookforum asked me to review Donald Keene’s memoirs , “Chronicles of My Life: An American in the Heart of Japan.” I said yes and winced. Keene was in his 80s at the time and had a lot of life to remember. His book would be massive. But then he, too, was vast: a bridge from my America to my Japanese mother’s land and literature. Also, a graduate of and professor emeritus at my alma mater, Columbia University, whose Center of Japanese Culture bears his name. A slim package arrived: 200 pages. In one chapter, Keene jet-sets around Europe, lobbying for Mishima’s Nobel, when his mother falls ill in New York. He arrives at her bedside too late. She can no longer speak. One cannot live and love in two worlds at once, he observes. The chapter closes so softly I had to put the book down and stare at the wall, shaken. Keene did what Kafka asks of writers: Ax the fr...

After disaster: my personal essay 7 years after Japan's tsunami ("Ghosts of the Tsunami")

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After Disaster: Embracing a Living Past through “Ghosts of the Tsunami”  (Words Without Borders) I flew out of Tokyo two days before March 11. There was a mild tremor as I packed, causing the overhead lamp in my kitchen to sway. I crouched over my suitcase, arms extended in my usual high-alert stance, but the earth soon resettled and I went back to folding my socks. Mild side-to-side rocking and the occasional vertical jolt are standard stuff in Japan, the most earthquake prone country in the world. During the days of the disaster and its immediate aftermath, I was in Oregon and California, giving university lectures and an NPR interview about, of all things, Japan’s obsession with apocalypse in its art and popular culture. I would not have remembered that tremor on the ninth had it not been for what happened on the eleventh. Read More >>

Monkey tour complet, 4/26 - 5/8 2015

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MONKEY BUSINESS US MIDWEST AND NEW YORK 2015 SPRING TOUR   MIDWEST With: Aoko Matsuda Satoshi Kitamura Susan Harris (4/28) April 27 (Mon.) – Chicago, IL: Columbia College-Chicago, 1:00 – 5:00 pm April 28 (Tue.) – Chicago, IL: University of Chicago, 4:30 – 8:00 pm April 29 (Wed.) – Kalamazoo, MI: Western Michigan University (Kalamazoo), 4:30pm~ April 30 (Thur.) – Madison, WI: The University of Wisconsin (Madison), 5:00 – 7:00pm NEW YORK With: Aoko Matsuda Satoshi Kitamura Ben Katchor (5/3 – 5/6) Kelly Link (5/4 & 5/6) Jay Rubin (5/7) May 3 (Sun.) – Brooklyn, NY: BookCourt, 4:00pm~ May 4 (Mon.) – New York, NY: Asia Society, 6:30pm~ May 6 (Wed.) – New York, NY: McNally Jackson, 8:00pm~ May 7 (Thur.) – New York, NY: Japan Society, 6:30pm~

COOL JAPAN: Hatsune Miku live this month in LA & NYC, for the ACCJ

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COOL JAPAN | MUSIC  ( ACCJ Journal ) First Sound from the Future Hatsune Miku weaves her magic for US audiences this fall By Roland Kelts Not all trends sweeping the domestic market in Japan strike gold with overseas audiences. The exceptions are headliners such as Pokemon, Hello Kitty, and the manga series One Piece, with its record-breaking 345-million print run worldwide. Most Japanese pop culture phenomena are for the home crowd only. Sports manga, such as Slam Dunk, rarely find a mass audience in the United States. Even trendy fashions, like last decade’s yamamba girls with their towering platform soles and bronzed faces, fail to charm most foreign tastemakers. In the 80s, when I was a teenager set free in Tokyo streets by my Japanese mother, I was entranced by quirky Japanese idol groups, fantastical haircuts, and animated television graphics. Still, I didn’t think any of it would register with my peers in America. It was altogether too light, too cute, too w...

Thank you Los Angeles, Tokyo, New York City

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Summer gigs, 2014 -- thanks to Nobuyuki, Tsuyoshi, Marlan, Ian, Marc in LA; Peter, Nagame, Lars at Embassy of Sweden, Tokyo; Manabu and Lisa at Meiji University, Tokyo; John, Ted, Eunbi and Haruki at Kinokuniya, New York City. Next up: Ottawa, San Diego, Los Angeles, Palo Alto, San Francisco and Berkeley. Project Anime / Anime Expo @ Los Angeles The Embassy of Sweden @ Tokyo Meiji University @ Tokyo Kinokuniya Books @ New York City NHK "Tomorrow" shoot @ Tohoku

On UNIQLO for M magazine and Women's Wear Daily

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M: My Name Is Uniqlo By   Roland Kelts Global Vision Company founder, Tadashi Yanai Photo By Courtesy Photo Uniqlo Paris Opéra on Rue Scribe Photo By Courtesy Photo Uniqlo Atrium store in Moscow Photo By Courtesy Photo I am on an escalator located in the center of Uniqlo’s flagship store in Ginza, Tokyo, and I am rising. The twelve-story rectangle, with its floor-to-ceiling glass facade, anchors Tokyo’s most luxurious shopping zone. I usually dread shopping for clothes. The volume of options amid mazes of racks induces nausea. But here, the tightly folded and labeled stacks convey the comfort and clarity of minimalism—even though there’s tons of stuff. “We excel in plenitude,” a staff member tells me.

In Transit

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From TYO NRT to NYC JFK--a life lived in transit and acronyms.