japanamerica

Project Anime asks the right questions By Roland Kelts More than 90,000 attended the 24th annual Anime Expo (AX) , North America’s largest Japanese pop culture convention, held at the Los Angeles Convention Center from July 2 to 5. The four-day event featured a concert by idol group Momoiro Clover Z , who were joined onstage by two members of veteran American rockers, Kiss — a result of their unlikely collaboration earlier this year on the song and music video, “ Yume no Ukiyo ni Saitemina .” (In March, the two groups also performed together at Kiss’ Tokyo Dome show.) American producer and DJ Porter Robinson, cable channel mtvU’s artist of the year and an avowed fan of Japanese pop, delivered a surprise set following a gig by Japan-influenced electronic music act, Anamanaguchi. Sanrio hosted a fashion show to celebrate the 40th year of “Hello Kitty.” The 20th anniversary of Hideaki Anno’s seminal film and series “Evangelion” was marked with a performance by its theme-song ...

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Can #socialmedia boost music sales in Japan? By Roland Kelts Last week, Line Corp.’s , the operators of Japan’s most popular messaging app, launched an in-app music streaming service called Line Music. Japan is the second-largest music market in the world after the United States, but its consumers have so far been global outliers, clinging to physical products like CDs and DVDs, which comprise 80 percent of all sales, when everyone else switched to digital. Line Music joins the only other active streaming service in Japan, AWA, established late last month by Avex and Cyber Agent. Apple Music, Spotify and Google are said to be studying the market but have yet to make moves. Some see Line Music and AWA as harbingers of Japan’s music business future, aligning it with the rest of the world. Veteran Tokyo-based producer and songwriter Jeff Miyahara, however, is doubtful. The novelty of streaming will wear thin fast in Japan, he tells me, because it’s a culture that prizes p...

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The Fifth Flavor By Roland Kelts Umami gives identity and intricacy to mother’s milk, a bowl of ramen, a writer poised between Japan and America. “Be always beginning,” Rilke wrote. You begin again because you have no choice. When I was six, my Japanese mother took me to her hometown to live with my grandparents. In Morioka, a northern capital city, I attended the neighborhood kindergarten. My memories of those days are uniformly positive: hunting cicadas in the backyard with a store-bought child’s-net-and-terrarium set (cicada-catching is standard summer fare for Japanese kids); watching Ultraman monster shows, animation, and sumo wrestling on TV, seated beside my grandfather, both of us barefoot on the ribbed tatami mats; and bathing nightly in my grandparents’ stainless-steel tub, encased in dark wood-paneled walls. But my mother tells me I was miserable, especially at school. I cried so hard and often that the principal called home in the middle of the day and asked her ...

Last gig is today in Jakarta .