Friday, April 25, 2008

Studio4C's Genius Partiers

Out now in Animation magazine's May issue is a feature story I wrote on Studio 4C's GENIUS PARTY project, which premiered in the US at the Kennedy Center's Japan! Festival in February. Studio 4C is one of the most ambitious and innovative of Japan's anime studios, and its teams of creators and producers are among the most generous in the industry.

I remain grateful to Eiko Tanaka, Yukie Saeki, Michael Arias and others at 4C for their enduring support of my work. Have a look at some of their work--Genius, Tekkon Kinkreet, Mind Game and more--for an edifying glimpse at the medium's possibilities.

Friday, April 18, 2008

Why Murakami? Back in Brooklyn for Japan/America panel, this Saturday, 4/19

[Roland Kelts delivering the keynote address for the Brooklyn Museum's Takashi Murakami exhibition, Saturday, April 12. Photo courtesy of Erin Silverstein.]

After last week's keynote address and my closing comments, an enterprising young reporter for Kyodo News asked me, quite reasonably: With all these wonderful manga and anime artists working for years in relative obscurity in Japan, why is Takashi Murakami the one who gets hung on American museum walls, while the others are considered 'pop' artists, banished to Barnes & Noble and Blockbuster shelves?

Murakami's uncanny ability to abstract the embedded emotional characteristics of manga and anime--the rage, violence, suspicions about kawaii or super-cute interdependencies, native postwar resentments, et cetera--is one clear reason. Like a surgeon, he seems to isolate and extract these raw states from their narrative bodies and splash them onto walls and sculptures to lay them bare.

He has also--like Haruki Murakami before him, and Nigo slightly afterwards--studied carefully the Western marketing mind-set. And I don't mean that cynically. If you come from an island nation slightly smaller than California, with half the US population crammed into your crags and valleys, you'd do well to sort out how to sell your work elsewhere.

Such light-hearted asides will be the main course of this Saturday's panel discussion at the Brooklyn Museum, April 19, starting at 2 p.m. More specs HERE.

On Saturday, I'll have on hand a beautiful new book, forthcoming from ChinMusic Press, called Art Space Tokyo (web here). I contributed an essay on Murakami's position in the Tokyo and international art scenes as a kind of impresario of the new Asian vision, and thus worth our reckoning.

But the book is worth your reckoning for other reasons: It cleanly and elegantly guides the reader to the Tokyo megalopolis's major and most innovative art venues--from big museums to rickety, perspicacious little hives--replete with easily navigable maps and among the finest restaurant suggestions known to the city. Art Space Tokyo somehow manages to be user-friendly, practical and elegant at once.

Though it's not yet officially out, it will be with me in Brooklyn on Saturday, and I'll proudly show it to you.

Despite other reservations, it seems the New Yorker's intrepid art reviewer somewhat agrees with my take on Murakami, noting that with the artist's Brooklyn Museum exhibition, "New Yorkers have a chance to absorb our new geo-spiritual fate, as provincials in a world of creative paradigms that no longer entreat our favor."


Hope to see you in Brooklyn this weekend.

Thursday, April 10, 2008

Japanamerica and Takashi Murakami in ... Brooklyn

Join us in New York's biggest borough this Saturday, April 12 at Noon. I will deliver the keynote at the Brooklyn Museum--in a KEY noTe.


Tuesday, April 01, 2008

Scenes from a SAKURA CON, 2008

A huge Honto ni Arigato to: Ulmira, Sabrina, the indefatigable Harry Porter, brother Bruce, and the lot who bothered to bother me. Vast thanks.

After a great night at Elliott Bay Book Company (thanks to Seattle TV for the bright lights), we're on again tomorrow (Tuesday) night at the Japan America Society.
If you haven't had enough already in Seattle, please join us tonight. INFO is HERE.

Else I'll see you in DC later this week. Thanks to all of you for tremendous support and kindness.

NEW interview at Sakura Con is HERE, replete with jet lag hoarseness.