japanamerica

 [Finally resuming my monthly "Culture Clash" column for The Japan Times.] Indie studio Tonko House's coming-of-age story portrays a multiethnic Japan Fairy tales usually move from humdrum reality to fantasy and back again, with the protagonist and the rest of the audience transformed along the way. Think Alice and the rabbit hole, Chihiro and the tunnel in “Spirited Away.” But the CG-animated limited series “Oni: Thunder God’s Tale” opens in a Japanese dream world before crossing the threshold into an urban Japan that is darker and far more dangerous. “Oni” is the latest work from indie animation studio Tonko House, with a script by veteran anime writer Mari Okada (“Macquia: When the Promised Flower Blooms”). The series uses digital techniques to mimic the tactile, slightly jerky movements of stop-motion animation, making its visuals feel intimate despite the story’s dizzying array of characters and Hollywood action-adventure scope: a four-episode, 154-minute epic that b

[Running a little late with the updates owing to travel and, well, life.] Japan struggles to give up floppy disks and fax machines for the digital age KYODO When Kono Taro was tapped in August to lead the government’s one-year-old Digital Agency, dedicated to digitizing Japan’s bureaucracy, headlines lit up with his opening salvos. No more fax machines! Out with floppy disks! His proclamations, delivered via Twitter, elicited cheers overseas. Inside Japan, they were met with muted bemusement.  Fluent in English and dubbed a “maverick” by the global media, the former foreign affairs and defense minister Kono is Japan’s most visible and Twitter-friendly politician ever, in a country more typically known for faceless bureaucrats. (When Yoshitaka Sakurada, the 72-year-old cybersecurity minister for the Tokyo 2020 Olympic Games shamelessly said that he had never once used a computer, his confession was greeted by shock and embarrassment. Though he was promptly forced to resign, no one remem