japanamerica

‘Seen from Japan, Britain is no longer recognizably British’ The Guardian A nation of islands shaped by limited space and imperial ambitions, garden aesthetics and ceremonial teas -- and stoic, stiff-lipped reserve in the face of adversity: Great Britain, or Japan? For many Japanese, Britain has long been something of a western mirror and model nation, a land whose geographical and cultural character were recognisable and achievements often admirable: a doppelganger off the coast of another continent and equally rich with tradition, history and parochial pride. At least, until Brexit. Only three months after the June 2016 EU referendum, the Japanese government voiced its displeasure over Britain’s choice in unusually un-Japanese language. A 15-page memorandum issued in September 2016 by the otherwise soft-spoken ministry of foreign affairs “strongly requests” that the UK consider the facts: Japan invests a lot of money and employs a lot of workers in the UK, but Japanese b

'Cannon Busters': Bending anime rules in all the right ways The Japan Times South Bronx, New York native LeSean Thomas is making anime in Tokyo partly owing to a mistake.  In the early ’90s he bought a video cassette of what he thought was “Akira” but turned out to be a behind-the-scenes “production report”  documenting the film’s creation. Instead of returning it, Thomas watched it every day. When he saw director Katsuhiro Otomo and his team working through the night at their cramped desks, he thought: That’s what I want to do. More than 20 years later, Thomas, now 43, has become an anime showrunner with “Cannon Busters,” a 12-episode series based on his 2005 comic book of the same name and rendered by Tokyo animation studio Satelight Inc. The multinational project was created by an American, co-financed by Britain’s Manga Entertainment Ltd. and Taiwan’s Nada Holdings Inc., produced by a Japanese studio and released on major U.S. and Chinese streaming portals