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Showing posts from November, 2018

DEVILMAN CRYBABY & AGGRETSUKO: Chats w/Go Nagai, Masaaki Yuasa and Netflix's Taito Okiura

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Netflix anime welcomes the dark side Go Nagai is the original bad boy of manga. His series “Shameless School” (“Harenchi Gakuen”) cemented his status as the inventor of the hentai (erotic) genre. “Shameless School” debuted in the first issue of Shueisha Inc.’s Weekly Shonen Jump , Japan’s best-selling manga magazine, in August 1968. The adult shenanigans and sexualized students Nagai depicted rendered him the target of national media, Parent Teacher Associations and women’s groups — and an infamous artistic pioneer. Over the past year, both Nagai and Shonen Jump have been celebrated for their 50th anniversary milestones. But one of Nagai’s later manga has gained immediate relevance. The animated adaptation of his 1972 “Devilman” series, “Devilman Crybaby,” directed by Masaaki Yuasa and released on Netflix back in January, has become one of 2018’s most talked-about anime and biggest international hits, despite its source being 46 years old. Now 73, Nagai looks like a profess

Live in Dubai at the 25th Sharjah International Book Fair 2018

رولاند كيلتس يتحدث إلينا خلال مشاركته في معرض الشارقة الدولي للكتاب Roland Kelts, well-known speaker and author chats with us. Here's what he said about #SIBF18 and about his participation. #الشارقة #الإمارات #معرض_الشارقة_الدولي_للكتاب #Shj #UAE #SBA pic.twitter.com/xpmg3QSUik — Sharjah Book Authority (@SharjahBookAuth) November 9, 2018

Sharjah International Book Fair, 5 - 10 November, UAE

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Honored to be in Dubai this week for appearances at The Sharjah International Book Fair.

Manga & anime in Japan's Heisei era (1989 - 2019)

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Defining the Heisei Era: When anime and manga went global The Heisei Era commenced after two gods fell in rapid succession. The first, Emperor Hirohito, was no longer officially a god, having repudiated his quasi-divine status under the terms of Japan’s surrender in World War II, but he remained god-like in stature. His January death in 1989 at age 87 signaled the end of a Showa past both turbulent and glorious. It drew global attention from the world’s leaders and media, but had been widely anticipated in Japan. The other fell just one month later, in February, and his death shocked the nation. Osamu Tezuka, the beloved “god of manga,” died of stomach cancer at the age of 60. News of his declining health had been kept secret, as was then customary in Japan. Tezuka was a prolific workaholic and omnipresent television personality. He was also a licensed physician. Almost no one expected his sudden passing. The two deaths would augur a new life for Japan’s twin pop cultu