japanamerica

Wonderful review of our panel on "Japanese Pop Culture's Successes in Covid-19" for The Japan Society and The Japan-America Society of Dallas/Fort Worth, featuring William Tsutsui, Aki Nakanishi, Seio Nakajima and me. Demon Slayer, anime vtubers, Evangelion, record-breaking sales in anime and manga, and the virtues of lockdown/isolation helped Japan's pop culture industries innovate and flourish against the odds. "The panel includes a history lesson on Japanese isolationism in the past, plenty of talk on Demon Slayer, Japanese and Western co-productions, and how the pandemic might affect Japanese entertainment in the future, among other things. At just under an hour and twenty minutes, it gives interesting insight and perspective on the issues." Thanks to Danica Davidson for the great story. Watchable here:

Fukushima: A photographer's 10-year journey through wreckage and recovery Photographer Ko Sasaki drove me through the Fukushima evacuation zone in the summer of 2016. I had been there twice before to record programs for National Public Radio and NHK, but I was hired by both to report post-disaster stories of resilience and show what had changed since the March 11, 2011 earthquake, tsunami and nuclear meltdown. Sasaki was showing me what hadn't. Sasaki's photographs appear in The New York Times, Forbes magazine, Wired and other mainstream publications. But his obsession with Fukushima and its people comes from a personal commitment: He feels that the region is still being exploited, mistreated and misrepresented by Japan's government and corporate officials, who cling to tatemae (public face and behavior, or "keeping up appearances"), he says, without a hint of honne (genuine inner sentiment and emotional truth). 2011 He is galled by the government's plan

WHY IS JAPANESE POP CULTURE THRIVING? Hope you'll join us for this free Zoom conversation with Harvard's Bill Tsutsui (GODZILLA ON MY MIND), Waseda's Seio Nakajima, and Aki Nakanishi from the Portland Japanese Garden and the US Embassy, Tokyo. It's free and you can register for nuthin here . Sponsored by The Japan-America Society Dallas/Fort Worth , The Japan Society , The Japan-America Society Oregon and Dentsu . Let's talk. 

After Disaster: Embracing a Living Past through “Ghosts of the Tsunami” in Words Without Borders Gymnasium, Namie, 2016 Seven years ago Japan underwent its most devastating national crisis since the end of World War II. On March 11, 2011, the genpatsu shinsai triple natural and industrial disaster—a 9.0 earthquake, a tsunami that rose to 128 feet and flooded 217 square miles, and a meltdown and radiation leak at the Fukushima Daiichi nuclear power plant—is now cited as the costliest such catastrophe in the world, running to an estimated $400 billion as of 2017. At the time, the impact reverberated nationwide—physically, in the form of aftershocks that rattled buildings throughout the night, and logistically, as distribution and transportation routes were hampered or shut down entirely, leaving some store shelves periodically bare. Japan’s network of nuclear power plants went offline, and the term jishuku, denoting a measure of self-restraint in the face of others’ suffering, was manife

 On the 10th anniversary of the genpatsu shinsai triple disasters on March 11, 2011—earthquake, tsunami and nuclear meltdown—here is the documentary film I hosted for NHK on the volunteer base in Tono, the birthplace of Tono monogatari, a font for Japanese folklore.