japanamerica

In my interview with Deutsche Welle (DW) I explain why and how Japan’s Anime industry is embracing AI . Miyazaki and many fans may not like it but the industry needs AI—especially if it hopes to retain the aesthetic properties that are essential to its appeal: the “hand drawn” 2D look, stylized key frames, and cool choreography requiring hours of hard labor by so-called “in-betweeners,” many of whom are already working outside Japan for long hours and low wages. Even more important: Japan’s relatively loose copyright laws make AI a realistic legal option. <<The use of AI in anime can therefore be seen as a solution to fill in the gap, points out Roland Kelts, an anime expert and visiting professor at Japan's Waseda University School of Culture, Media and Society. "The population is shrinking, so there are not many young artists, and they are paid very poorly to do a lot of hard labor," he told DW.>> *video forthcoming. Thanks to Chermaine Lee.

I was interviewed by the Financial Times about the global Anime Boom and domestic Anime Bust, and how the Trump tariffs could kill the golden goose: https://archive.ph/NA572 <The global market for anime is now expected to almost double from $31.2bn in 2023 to $60.1bn by 2030, the investment bank Jefferies wrote in a 2024 report.  But as the popularity of anime and manga — the comic books from which many anime characters and stories are derived — grow, Japanese studios and the country’s government are increasingly concerned that financial value is disappearing overseas. “What we are starting to see from the anime companies is an awareness that the production and distribution side of the industry is inefficient,” says Roland Kelts, the author of JAPANAMERICA: How Japanese Pop Culture has Invaded the US . “The middle men are making a lot of money, but that isn’t trickling down.”> *My thanks to ace reporter Leo Lewis. Again.