japanamerica

Honored to be appearing at this year's Virtual Crunchyroll Expo 2020 with my friend Arthell Isom, anime director, background artist and co-founder/CEO of D'ART Shtajio , Japan's first black-owned anime studio.  We'll be talking about Anime and Race  — a timely topic, and one that is rarely addressed.   

#MeToo allegations roil U.S. anime conventions The Japan Times Over the past few months, the #MeToo movement breached the American anime convention industry. Most feel it was inevitable. Many say it’s about time. The first salvo was fired in mid-January in the form of a Twitter thread accusing veteran American voice actor Vic Mignogna (“Dragon Ball Z,” “Fullmetal Alchemist”) of homophobia, anti-Semitic behavior and unwanted sexual contact. Soon the charges from fans, some of whom claim they were underage at the time of the alleged transgressions, were joined by those from con staff members, professional cosplayers, fellow voice actors and an ex-fiancee. Less than a week after the first tweets dropped, Mignogna released a public statement rejecting accusations of bigotry, proclaiming the innocence of his intentions and apologizing to anyone who felt violated by his “show (of) gratitude or support.” He has not been formally charged with anything. Some Twitter use...

We're honored to be returning to Kansas City,  March 15 - 17 .

The story behind anime localization Les and Mary Claypool For the past 10 years I’ve been guesting at anime conventions across the United States. Each one is unique. On the coasts they tend to be larger and older than cons in middle America, with massive crowds and decades of history. But they’ve each become more diverse. Most today report a near 50-50 gender mix, with attendees spanning racial and ethnic spectra. What’s frustrating, though, is that I hardly ever get to talk with anyone. (I talk to them, of course. That’s my job. But sustained conversations are rare.) Once the crowds show up, cons are dizzying. Your liaison escorts you to the venue, navigating through clumps of cosplayers. The fans pour in, get their book signed, mutter their thanks and maybe share an anecdote about their favorite show, a trip to Tokyo, or a story you wrote that they read. It’s nice, but brief. Unfortunately, the same goes with other guests, many of whom are professionals I’m eag...

Back on the road.

IOEA: The grass-roots gospel of otaku culture

Director Sunao Katabuchi shares his corner of the world

Anime gives Japanese bands a new route to potential fans By ROLAND KELTS ‘Retro” was the theme at this year’s Anime Boston, the largest anime convention in the Northeastern United States, and that extended to the event’s featured musical acts: veteran pop duo Puffy AmiYumi and 1960s-styled rock quartet Okamoto’s. “The only other time we played in Boston we performed a short set in a musical instrument store down the street,” says Okamoto’s lead singer Sho Okamoto during our backstage meeting. “We thought we might have 25 people in the hall today, but there were thousands out there.” Okamoto’s play top-tier venues in Tokyo. Seeing their name on the roster of an anime convention reveals how much more intimate the two media have become. Anime soundtracks used to travel poorly, with Western fans dismissing the melodramatic scores and lyrics. Songs for TV in particular were often composed to appeal to Japan’s karaoke-driven demographic: Fans would memorize every word and melod...

New markets may save Japan’s manga exports BY ROLAND KELTS [Simon & Schuster India] The North American manga business took a beating last decade. After peaking around 2005-06, the lethal storm of oversaturated shelves, a collapsing U.S. financial industry and the bankruptcy of major American bookstore chain, Borders, left publishers and distributors in a panic. Downsizing, restructuring and layoffs became de rigueur. “The bankruptcy of Borders in 2011 was definitely the final straw in forcing me to close down the office and stop print publishing,” says Stu Levy, the founder and CEO of Tokyopop, a pioneer and stalwart of the North American manga market that once introduced millions to the iconic “Sailor Moon” series. Levy believes rampant digital piracy and reduced print runs combined with the closing of Borders to force his hand. But after the losses sustained in the wake of Japan’s natural and nuclear disasters of 2011, manga publishers and their overseas partners see si...

Summer gigs, 2014 -- thanks to Nobuyuki, Tsuyoshi, Marlan, Ian, Marc in LA; Peter, Nagame, Lars at Embassy of Sweden, Tokyo; Manabu and Lisa at Meiji University, Tokyo; John, Ted, Eunbi and Haruki at Kinokuniya, New York City. Next up: Ottawa, San Diego, Los Angeles, Palo Alto, San Francisco and Berkeley. Project Anime / Anime Expo @ Los Angeles The Embassy of Sweden @ Tokyo Meiji University @ Tokyo Kinokuniya Books @ New York City NHK "Tomorrow" shoot @ Tohoku

My conversation with animation critic/author Charles Solomon on Anime Expo 2014 & Project Anime in Los Angeles, on NPR/KPCC .

Roland Kelts to give Keynote Presentation at Project Anime: Los Angeles 2014  Project Anime is proud to announce Japanamerica author Roland Kelts as a Keynote Speaker for Project Anime: Los Angeles 2014. Roland Kelts is a half-Japanese writer, editor, scholar and cultural expert. He is the author of the bestselling Japanamerica: How Japanese Pop Culture has Invaded the U.S. , and the forthcoming novel, Access . His writing on contemporary Japanese culture, art and literature is published in Japanese and English in publications such as The New Yorker, The Wall Street Journal, Time, Newsweek Japan, Adbusters, The Japan Times,  the BBC, NPR and CNN . In his Keynote Speech, “Re-Opening Japan,” Kelts assays the specific trans-cultural reasons behind the misunderstandings and sometimes unintended insults that occur when non-Japanese try to work, collaborate and make deals with Japanese creatives.