Posts

Showing posts with the label Cosplay

NAKA-KON 2019

Image
We're honored to be returning to Kansas City,  March 15 - 17 .
Image
Honored to be visiting Akita, my grandmother Ebata's furusato (hometown), to speak at Akita International University .

Thank you, Columbia University Alumni Japan

Image
My generous thanks to Hajime Kosai, my fellow Japan alum from Columbia University, and a brilliant audience at Aux Bacchanales in Tokyo. Hope to see you in the UK & US next month. (photos: Hajime Kosasi)

Live talk for Columbia Alumni Association of Japan, Feb. 8

Image
I'm honored to be joining fellow Columbia grads in Tokyo for a talk & Happy Hour on Thursday, February 8th, 7 - 9 p.m., at Aux Bacchanales, Kioicho,  Shin Kioicho Bldg. 1F, 4-1 Kioicho, Chiyoda-ku, Tokyo  (at Hotel New Otani ). Info & rsvp here .

Otaku culture and the IOEA, for The Japan Times

Image
IOEA: The grass-roots gospel of otaku culture

Anime and folklore in Kyoto, for The Japan Times

Image
Japanese folklore meets anime in Kyoto By  ROLAND KELTS The colors were jarring. Beneath the vermillion torii gates of Kyoto’s Shimogamo Shrine and surrounded by the olive broadleaves of Tadasu Forest was a pool of furry, bright yellow ponchos, decorated with the brown facial features, rounded ears and bulbous oblong tails of the tanuki, or Japanese raccoon dog. Out of roughly 2,500 applicants, 200 anime fans, the majority of them young women, won entry to the Jan. 12 “Uchoten Kazoku 2 (The Eccentric Family 2) Event: Tanuki Gathering at the Forest of Tadasu, Shimogamo Shrine” via raffle tickets sold at ¥2,000 each in November and December.  The lucky fans had access to an intimate seating area to view the solemn Shinto blessing of the series’ second season, which premieres on April 9. They also received swag bags of merchandise supplied by the show’s sponsors, attended a talk show including photo ops with its seiyu (voice actor) stars, sipped ceremonial sake...

On AnimeJapan 2015 & Comiket's "Otaku Summit," for The Japan Times

Image
AnimeJapan 2015 sees the big picture by Roland Kelts For most in Japan, April marks the beginning of the new working year. But for the anime and manga biz, it all starts in March. Last weekend, the second annual AnimeJapan trade fair overtook Tokyo Big Sight, with more than 120,000 total attendees (a spike of 10,000 over last year’s tally), 2,500 of whom were business representatives from Japan and overseas. This weekend, March 28 and 29, will see the first-ever “Otaku Summit,” a special edition of the biannual Comics Market (Comiket), featuring manga-fan artists from 18 countries and held at Chiba’s Makuhari Messe. AnimeJapan is the union of two events, the former Tokyo Anime Festival (TAF) and The Anime Contents Expo (ACE), whose initial split was caused by a rift over ex-Tokyo governor Shintaro Ishihara’s controversial censorship drive in 2010. The first TAF I attended in 2005 targeted industry insiders — domestic studios, networks and media. But AnimeJapan has evolved ...

Talkin' Anime Expo 2014 for NPR, Los Angeles

Image
My conversation with animation critic/author Charles Solomon on Anime Expo 2014 & Project Anime in Los Angeles, on NPR/KPCC .

Off to Los Angeles for Project Anime keynote @ Anime Expo

Image
Roland Kelts to give Keynote Presentation at Project Anime: Los Angeles 2014  Project Anime is proud to announce Japanamerica author Roland Kelts as a Keynote Speaker for Project Anime: Los Angeles 2014. Roland Kelts is a half-Japanese writer, editor, scholar and cultural expert. He is the author of the bestselling Japanamerica: How Japanese Pop Culture has Invaded the U.S. , and the forthcoming novel, Access . His writing on contemporary Japanese culture, art and literature is published in Japanese and English in publications such as The New Yorker, The Wall Street Journal, Time, Newsweek Japan, Adbusters, The Japan Times,  the BBC, NPR and CNN . In his Keynote Speech, “Re-Opening Japan,” Kelts assays the specific trans-cultural reasons behind the misunderstandings and sometimes unintended insults that occur when non-Japanese try to work, collaborate and make deals with Japanese creatives.