japanamerica

Gkids brings anime's best to big screens in the U.S. The Japan Times At the start of a new decade, anime’s two top directors are being delivered to Americans by one company. And, no, it’s neither Disney nor Netflix. The relatively unheralded Gkids, which was spun off 11 years ago from the New York International Children’s Film Festival by founder and CEO Eric Beckman, has now become the chief North American distributor of films by Hayao Miyazaki and Makoto Shinkai. On Dec. 16 and 18, as part of its ongoing Studio Ghibli Fest, an annual April-December screening series, Gkids will present Miyazaki’s late artistic partner Isao Takahata’s final film, “The Tale of the Princess Kaguya,” in theaters across North America. On Jan. 15, the company will release Shinkai’s “Weathering With You,” Japan’s highest grossing film of 2019, on 900 screens nationwide. Gkids also has a stake in anime’s less family-friendly material, like the edgier Studio Trigger’s first feature, “Promare,...

U.S. anime market matures in 2019 The Japan Times The third annual Animation Is Film Festival kicked off on Oct. 18 in Los Angeles with the United States premiere of Makoto Shinkai’s latest Japan box-office hit, “Weathering With You,” followed by an onstage Q&A with Shinkai, who flew in from Tokyo for the event. Demand for tickets was so fierce that organizers added a second overflow screening at the city’s historic TCL Chinese Theater on Hollywood Boulevard. According to festival founder Eric Beckman, CEO of U.S. distributor GKIDS, tickets to the second screening sold out in “less than three minutes.” WEATHERING WITH YOU, image courtesy of GKIDS /  ©2019 “Weathering With You” Film Partners Six years after the global anime industry was jolted by the retirement of its most loved and bankable artist, Studio Ghibli director Hayao Miyazaki, developments in the North American market are transforming 2019 into a banner year. Through consolidation, the flowerin...

Still swinging for the fences: Murakami in conversation The Times Literary Supplement “You see, I’m like a cat”, he tells me, twice. “I know the best position, and I go there straight. And I do it on my own time. Many people don’t like that about me.” Despite Murakami’s discomfort in Japan, and the disdain he receives from Japanese literary critics ten or more years his junior, his legacy is everywhere in contemporary Japanese culture. He’s there in the unvarnished prose and surreal happenstance in the work of younger writers, including Sayaka Murata (whose bestselling Convenience Store Woman is an eerily Murakamiesque blend of the magical mundane punctuated by violence) Mieko Kawakami and Hideo Furukawa (who wrote what he calls “a remix” of an early Murakami story, entitled Slow Boat ), all of whom claim that his model as an independent, uncompromising artist forged their paths from the parochial forests of Japanese letters to the broader plains of world literature. The...

The story behind anime localization Les and Mary Claypool For the past 10 years I’ve been guesting at anime conventions across the United States. Each one is unique. On the coasts they tend to be larger and older than cons in middle America, with massive crowds and decades of history. But they’ve each become more diverse. Most today report a near 50-50 gender mix, with attendees spanning racial and ethnic spectra. What’s frustrating, though, is that I hardly ever get to talk with anyone. (I talk to them, of course. That’s my job. But sustained conversations are rare.) Once the crowds show up, cons are dizzying. Your liaison escorts you to the venue, navigating through clumps of cosplayers. The fans pour in, get their book signed, mutter their thanks and maybe share an anecdote about their favorite show, a trip to Tokyo, or a story you wrote that they read. It’s nice, but brief. Unfortunately, the same goes with other guests, many of whom are professionals I’m eag...

Hayao Miyazaki: The never-ending story Last week, an NHK documentary chronicling Hayao Miyazaki’s retirement and un-retirement, “Never-Ending Man: Hayao Miyazaki” opened in select theaters across the United States. The same day on the other side of the world, his 1988 classic “My Neighbor Totoro” was released for the first time in theaters across China — 6,000 of them. Next month, Miyazaki will receive the Los Angeles Film Critics Association’s Career Achievement Award. In 2019, also in LA, the largest-ever exhibition of his work will inaugurate the prestigious Academy Museum of Motion Pictures. Meanwhile, in Japan, Tokyo’s Shinbashi Enbujo Theater will stage a kabuki version of “Nausicaa of the Valley of the Wind,” Miyazaki’s 1984 sci-fi epic. And 2020 (or soon after) will see the premiere of “How Do You Live?,” his 12th feature film, followed by the opening of a Studio Ghibli theme park near Nagoya. Miyazaki held a press conference to announce his retirement in Septembe...