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Manga, Anime & Cosplay: Japanamerica Night--Thank Yous--
--to John Fuller, Shigeharu Ono and the absurdly patient and kind staff of Kinokuniya NYC , to Marco Pavia and Mandy Willingham of TokyoPop , to Clyde Adams III of NYC Anime , to Peter Tatara of New York Anime Festival and Comic Con , to Taeko Baba and Justin Keesey of New York-Tokyo , to Wired magazine , to Lee-Sean Huang and JETAANY , to the four extraordinary manga artists, whose backgrounds (US-Hispanic; US Caucasian; Korean; Japanese) served to exemplify the japanamerica phenomenon--and to you, that glorious mob of you who attended, ranging in age from the teens to the 80s, in race and ethnicity from African American to Asian to White to Hispanic, and in costumes elaborate to mundane--I am, and remain, grateful. What a night in New York. [photos courtesy of marlene marino and lee-sean huang.]
On the newly legal 'hentai' erotic, pornographic manga/anime site, FAKKU, for The Japan Times
Finding opportunities overseas with the ‘art of hentai’ By ROLAND KELTS When Jacob Grady began pirating anime and manga online eight years ago, he was still in college. He took out student loans to pay the server bills, and figured that if he ever made enough money from the site to purchase a round-trip flight to Japan, the effort and expense would be worth it. Like many Americans, he got hooked on Japanese pop culture as a kid through the Cartoon Network’s action-oriented programming block called “Toonami” (“cartoon tsunami”). He would race home from school to catch the latest episodes of “Dragonball Z” and “Gundam Wing.” But Grady was not pirating anime adventure series or kids’ shows like “Pokemon.” The content on his site was what most non-Japanese call “ hentai ” (abnormal, perverted), and in Japan is still largely known as ero-manga, ero-anime, or just porno. “At some point, going through puberty and exploring the Internet for the first time, I came across hentai,...